Episode 51: Godzilla: King of the Monsters (US) (2019)

A lot of critics know and understand the basics of the 1954 Godzilla, but they have less of an understanding of what makes a great Godzilla sequel. This movie has by far the most Toho magic of any non-Japanese Godzilla movie to date. I address the box office, the critical reviews, and how the way this film was edited is a big reason for the film’s underperformance.  The related topic for this episode is eco-terrorism and climate change.

This episode is dedicated to director Michael Dougherty.

I’d like to send a shout-out to our patrons Kyoei Toshi, Sean Stiff, William Mize, and Eric White. Thank you for your support! I really appreciate it.


Introduction: 0:00 – 2:16

Part 1 – Film Description: 2:16 – 12:14

Part 2 – Opinion and Analysis: 12:14 – 1:16:53

Part 3 – Related Topic: 1:16:53 – 1:38:49

Closing: 1:38:49 – End


Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Lincoln Bank Tower (left), Allen County Courthouse (center), and The PNC Building (right)

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved


Episode 50: War of the Gargantuas (1966)

With beautiful cinematography, detailed miniatures, and lots of work involving water, War of the Gargantuas is an incredible movie! Russ Tamblyn gives us a natural and cool performance in his role as Dr. Stewart. This movie is so refreshingly itself. The related topic for this episode is the recent ascension of Emperor Naruhito.

This episode is dedicated to actor Russ Tamblyn.

I’d like to send a shout-out to our patrons Kyoei Toshi, Sean Stiff, and William Mize. Thank you for your support! I really appreciate it.


Introduction: 0:00 – 5:09

Part 1 – Film Description: 5:09 – 12:38

Part 2 – Opinion and Analysis: 12:38 – 34:48

Part 3 – Related Topic: 34:48 – 51:35

Closing: 51:35 – End


Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: South Anthony Boulevard, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved


Coming Full Circle: Takuma Sato, the Indy 500, and Godzilla

by Brian Scherschel

Since the beginning, Kaijuvision Radio has had a unique mission.  Hence the emphasis on culture, history, and global issues.

This mission carries over into social media.  There are plenty of sources on Godzilla-related news already.  Why devote time to duplicating what’s already out there?  Everyone’s seen the latest “King of the Monsters screenshot”.  Not everyone knows about what’s going on in the South China Sea.

That’s why I post about Japanese history, current events in East Asia, and Japan-related stories of local interest.  Just because something isn’t directly related to Godzilla, it has to do with the show’s mission.

Takuma Sato won the Indianapolis 500 in 2017.  He’s the first Japanese man (and thee first Asian man) to do this.  He made history.  Kaijuvision is produced in Fort Wayne.  So, I decided there should be an article about this historical event.  It’s a story of local interest.

After all, there are two connections to the Indianapolis 500 in Godzilla movies.  In All Monsters Attack (1969), Ichiro’s bully wears an Indianapolis 500 shirt.  In the episode on that film, I said how that’s maybe a reference to the give-and-take relationship that the US and Japan have on some issues.  The second connection is in Godzilla vs. Megalon (1973).  Hiroshi drives a car that has an Indianapolis 500 sticker on the window.  See the original blog post about Takuma Sato here.

Similarly, sports figure Hideki Matsui is nicknamed Godzilla.  Matsui had his own cameo in Godzilla Against Mechagodzilla (2002).

It turns out there’s much more of a connection to Godzilla than previously known.  A visitor to Kaijuvision.com sent these pictures via a comment on the original Takuma Sato blog post:

Source: Rob McEwen

Source: Rob McEwen

That’s so cool!!

Ever since 1954, Godzilla has been an expression of the Japanese National Spirit, just like Sato’s achievement is.

So two years later, the connection between Godzilla and Takuma Sato’s win at the Indy 500 has come full circle!

G-Fest XXV (2018) Panel: Godzilla and the Japanese National Spirit

As promised, here’s the audio and video of our G-Fest Conference panel, which took place at 3:00pm (CDT) on July 13, 2018 at the Crowne Plaza O’Hare in Rosemont, Illinois. We had a larger-than-expected turnout, including several attendees who were listeners and a university professor who was impressed with our presentation. If he was amazed, we know you’ll be, too!

In this, we discuss Godzilla (1954), The Return of Godzilla (1984), Shin Godzilla (2016), and Godzilla vs. Gigan (1972), and the international relations issues that were surrounding them when they were made.

We introduce ourselves, the podcast, and its mission. Then Nate examines the 1954 and 1984 movies with respect to the JSDF, the US-Japan Alliance, and Japanese domestic issues. Brian then updates the audience on what has happened in Japan and the world between 1984 and 2016. Nate examines the 2016 movie across the same issues. Brian analyzes Godzilla vs. Gigan and all that the movie communicates to the audience about globalization. Brian finishes the panel by mentioning what all will happen to Japan in 2019 and 2020, and gives a spirited case for defending democracy.




Why This Is a Perfect Time to Create a Godzilla Podcast

By Brian Scherschel

One week until the premiere of Episode 1.  Brian gives us the big picture, and connects Godzilla to international affairs, history, and current events.

Host: Brian Scherschel

Editor: Brian Scherschel

Video Location: Metea Park, Allen County, Indiana

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel

All Rights Reserved


Hi, this is Brian Scherschel. I co-host Kaijuvision Radio with Nathan Marchand. We only have one week remaining until the release of our first episode next Wednesday, so as the final preparation for beginning our show, I will tell you why it’s the perfect time to create a Godzilla podcast.

I have a Masters Degree in Public Administration and I studied International Affairs and Comparative Politics. Many of the Godzilla movies express the Japanese national spirit in one way or another, whether on economic, social, or political subjects, and discussing these films is an incredibly interesting way to look at Japan. In my opinion, it’s too easy to discuss Godzilla without discussing Japan.

The world is drastically changing and a lot of us wonder what’s going to happen. The nation-state system is undergoing a partial collapse. The creative destruction of capitalism is uncontrollable. The progression of technology and artificial intelligence is reforming the world in ways previously thought impossible. The advancement of genetics will assuredly change the course of history. The world as we know it is collapsing and rebuilding itself, and there is constant death and rebirth.

The post-World War II and post-Cold War order is disintegrating, and the United States is losing its position not only as the dominant military power in the world but also as the leader of the world economic order. As the United States gives up its quasi-imperial role, we will enter a new, likely unstable, multi-polar era. This means that much of the world will go through a re-balance of power, and East Asia will likely be the epicenter of that re-balance.

Advanced industrial societies face many challenges, but in Japan, they are much more intense. Japan has a high debt to GDP ratio, which in 2016 was 250%, which is by far the highest in the world. The economy is stagnant, inflation is very low, and there are 148 jobs for every 100 applicants, which means many jobs are left unfilled. Japan has the most rapidly aging population in the world. Their total population could decline by about 26 million before it stabilizes to around 100 million. That’s slightly over 20% of Japan’s population predicted to disappear. Japan’s high government spending on the elderly and the pension system is a major contributor to the debt. Japan’s young people are up against the harsh reality of bearing the burdens of living in a gerontocracy. They face declining wages and higher taxes, which has caused them to delay getting married and having children, which makes the demographic crisis worse.

Aside from economic and demographic issues, Japan finds itself in an increasingly unstable and unfriendly East Asia. North Korea is a major destabilizing force in the region because of its nuclear program, missile tests, and kidnapping of Japanese citizens over the years. Japan is as far from North Korea as San Francisco is from Seattle. China has taken aggressive steps in the region, specifically its contested claim of ownership of the Senkaku Islands, which are currently administrated by Japan. The number of air defense incidents between Japan and foreign aircraft has rapidly increased in recent years. China has also established the nine-dash line which is the demarcation line of its claim to nearly all of the South China Sea as its exclusive national territory, including the Paracel Islands and the Spratly Islands. China has ignored a 2016 decision by a UN-constituted arbitral tribunal which declared their claim invalid. China has recently established bases on multiple islands in the Spratlys with surface-to-air missiles, long runways, and fortifications. The rise of China is one of the biggest forces of change in the world at this time.

There are many pressures on Japan to increase its military power. These include the pressure of the perceived threat of China, the pressure exerted by the United States to be a more equal partner in the US-Japan alliance because of its own debt and the shrinking of its quasi-empire, and the pressure of Prime Minister Abe’s party to strengthen the Japanese military. However, some Japanese citizens are weary of war and want the government to concentrate on the economy instead of constitutional revisions. In addition, some Japanese, particularly Okinawans, want US forces to leave but Japan, but at the same time, Japan remains almost entirely dependent on the US for defense.

What I find even more interesting is that Japan has built up a huge amount of “soft power”. This relates to the “Cool Japan” phenomenon or what’s called Japan’s “Gross National Cool”. Another nickname for Japan is the “Pokemon Hegemon”. Japan is a cultural superpower, which has an effect on how the rest of the world views them. This helps Japan’s economy, increases tourism and other foreign interest, and increases Japan’s influence around the world. So, here’s my big question: Will Japan ever be able to convert this soft power into real power, if necessary? Down the road, if a crisis in Japan occurs, what will all of this soft power get them? I think at some point we may find out.

Godzilla is an official citizen of Japan, and he is the cultural ambassador for the Shinjuku Ward of Tokyo. He is one of the most visible icons of Japan, right up with Mario, Pikachu, Ultraman, Evangelion, Totoro, Lupin, Naruto, Sonic, Titan, Mega Man, and the Chocobos of Final Fantasy. Godzilla came before all of the others, and in my opinion he’s the genesis of Cool Japan, and therefore, the core of the soft power that Japan projects and exports.

The Godzilla series of films cover many Japanese issues either directly or indirectly. It’s great that these movies are not just one dimensional. Though they may appear simple, they’re often refreshingly intelligent and thought-provoking, allowing us to appreciate them on an entirely different level, which adds to the fun of being a Godzilla fan. These movies are unique, intelligent, and enjoyable all at the same time. As Japan (and the rest of the world) move forward into an uncertain and very challenging future, the Godzilla movies tell us so much about where Japan was in the past and where Japan is today.

Next Wednesday, September 20th at noon Eastern, Nate and I will release the first episode of Kaijuvision Radio. Join us as we appreciate these truly special movies in every way that we can.