In this live, I address the recently released Japan Sinks: 2020 anime series from Science Saru Studios and directed by Masaaki Yuasa. I give you my reactions and thoughts on this incredible anime. It’s bizarre, funny, sad, and surprising! It departs significantly from the original Komatsu book. I analyze the Japanese rap battle about what it means to be Japanese, the old man’s murder spree while riding a mobility scooter, and the many bizarre deaths in this fascinating story.
In this live, I answer questions from listeners about some complex issues, such as fandom behavior online, Ishiro Honda’s time in a command position at a comfort women camp, who really rebuilt Japan after the war, economic circumstances that led to the Japanese Economic Miracle, the disparate impact on minorities that gatekeeping has, and the level of popularity of rescinding Article 9 from the Japanese Constitution.
Staying on Shin Godzilla-related content, I give my opinion on the popular article “Shin Godzilla vs. GMK: The Battle Over Japanese Nationalism”. It’s not 1947 anymore, and Japan has shown the world how good of a country it can be. At the end of the day, the Japanese should make their own decisions about their constitution and if they should grow their military. East Asia is a very dangerous place right now, and the US and Japan have many things in common. I believe these two movies are not opposites – they are two sides of the same patriotic coin.
Welcome back to Kaijuvision. I’m Brian Scherschel. I’m going to continue with Shin Godzilla-related content. As I’ve been interested in politics and history since I was 7 years old, this has always been my interest and my specialty. So as they say on YouTube, let’s get right into it.
In this episode I’m going to address an article called “Shin Godzilla and GMK: The Battle Over Japanese Nationalism”, which was written by Gman in 2017. It’s about how Shin Godzilla is supposedly nationalist propaganda, but in reality, this article itself reads like propaganda. Propaganda is information, especially of a biased or misleading nature, used to promote or publicize a particular cause or point of view.
I’ll start by saying that I have a master’s in public administration with a concentration in comparative and international affairs from the best public administration school in the country. It’s ranked higher than the Kennedy School of Government. I have read a great deal about Japanese nationalism, and I’ve covered over 50 topics on Kaijuvision, so this is not really a new topic for me. I’ve never addressed an article like this on the show before, but I am now because the Godzilla and the kaiju community is really missing a lot of perspective on this topic in particular. Fans of Godzilla and kaiju deserve to hear updated information to be able to make good decisions. There are others in the community who have it right by disagreeing with the conventional wisdom. It’s not that hard to understand, it’s just that people have been getting outdated information for so long, and it’s time to move forward.
When I released my “Politics of Shin Godzilla” episode, I came up against only a little bit of push-back. The feedback was largely positive. Most of the negative responses were hilarious to me, calling me Fox News and a populist, among other things. They called Shin Godzilla Japanese militarist nationalist propaganda, and the “Triumph of the Will” of Godzilla movies, which is a comparison to the Nazi regime’s propaganda. I think the criticisms of Shin Godzilla have been so over the top. One person said I didn’t mention GMK from 2001 and pretended to have this sort of “gotcha” moment. I don’t think he listened to anything I said in the video either, but maybe he did. But when he mentioned that, he reminded me of this article about GMK and Shin Godzilla.
So getting into the article, right out of the gate, it sets up GMK and Shin Godzilla as opposing political forces. It says how GMK represents Japan’s pacifist ideals and Shin Godzilla represents right-wing nationalism. So here’s why this is a false setup from the outset: Both movies are patriotic. They’re two sides of the same coin. Patriotism is faith in one’s homeland: political, historical, cultural, ethnic, and patriotism is defensive, inward-thinking, and fulfilled. Nationalism is inseparable from the desire for power and promoting national identity, culture, language, race, religion, and political goals, and nationalism is offensive, outwards, and power hungry. There’s nothing in GMK or Shin Godzilla about how the rest of the world needs to be more Japanese, and the military in neither movie is ever used offensively against another nation or people.
Setting up these two movies as diametrically opposed to each other depends on looking at Japan through a heavily-biased American lens. This goes back to the era immediately after World War II. Back then, we wrote the Japanese constitution, in which Article 9 denounces the right of belligerency of the state and renounces the right of Japan to use military force to resolve conflicts. It was 73 years ago that America wrote this constitution, which is a pretty long time ago, when Japan was a much different place. Japan has a whole new set of arguably more challenging problems now. But this mentality that “the US won the war, and Japan has to do what we say forever” is growing outdated more every year. How many years will it take before we recognize that Japan has proven itself to be worthy of more independence and autonomy? This also relates to the heavy-handed American foreign policy that has been around for a long time. I think when you’re from America, it’s easy to take it for granted that America has a tendency to smother its allies. And while this article was written in 2017, it really comes from a foreign policy era that is more in tune with 2008 or 2009.
The article doesn’t take into account really any large-scale changes in East Asia going from 2010 to 2017, so it’s ignoring the elephant in the room, which is China’s expansionist policy in the South China Sea and the increase of tension regarding the Senkaku Islands dispute. Indeed, this article talks some about Japanese history and Japanese politics, and it mentions North Korea, but at no point does the article mention China with regards to the national security threat it presents to both the US and Japan. And by 2017, we’d already had seven to nine years of Chinese aggression and willful disregard for international law. Maybe the author knows about China but just doesn’t think it’s that important in this discussion, but it is because it’s a really huge blind spot in this article to not mention something like this.
Next, the article talks about Nippon Kaigi, which is a nationalist group in Japanese politics. There aren’t very many members, only 38,000, but they do have a lot of influence. It’s a very conservative group. I don’t agree with their historical revisionism, the war crimes denial, or minimizing the comfort women issue. If you want to learn more about these issues, check out episode 4 of Kaijuvision. The topic is the Tokyo War Crimes Tribunal.
Next I’ll talk about GMK. A significant part of GMK is about how the Japanese people shouldn’t forget the past because otherwise they’re doomed to repeat it. People in the movie seem to have forgotten about the past and most seem to believe that the Self-Defense Forces defeated Godzilla and not Dr. Serizawa and his oxygen destroyer. The main idea in GMK is that Godzilla represents the spirits of the dead from the war, meaning the Japanese, Chinese, Americans, and so on. The author of the article declares GMK an anti-nationalist movie, and that it enshrines the idea of a defensive military that is best when it doesn’t have to fight at all. GMK might not be a nationalist movie but it is still a patriotic one. It thinks within the borders of Japan. It’s thinking inwards. It instills an allegiance of the Japanese people to the land and the ideals of Japan. The guardian monsters represent the connection between the Japanese people and their homeland.
While the movie should be commended for not wanting history to be forgotten, the defenders of GMK forget something important. While it is great when a military doesn’t have to be used, it can and should be able to adjust to a quickly-changing security environment in East Asia. In other words, it should evolve as the threat matrix evolves. It never stays the same, either. GMK was made in 2000 or so, and released in 2001, not long after North Korea tested missiles that went over Japan. So the military should still hopefully not have to be used, but it should be able to respond to threats in a proportional manner. Even in 2001, East Asia was rapidly becoming a much more dangerous place compared to back at the end of World War II. So, sure, have a defensive military, but it should be able to perform the job it might have to do one day. Having a strong enough military to deter conflict is a very important part of keeping the peace, just as having too weak of a military invites potential conflict. And wanting to have a stronger defensive capability is not in and of itself militaristic or nationalistic – it’s a prudent measure to take in order to deter conflict and save lives. What’s the point of a defensive military if it can’t adequately defend against anything?
Now, here’s the very important part of what I have to say about this article. Once the article starts up on Shin Godzilla, things start to get weird. It reads, “Shin Godzilla proposes the country should become stronger to defend itself from foreign threats and national crisis.” What is the reader supposed to think upon reading that? Like, “Oh, the horror”? I didn’t think that. The East Asia of 2015 is a very different place than the East Asia of 2000. Beginning in 2010 and 2011, China built military bases on artificial islands in the South China Sea, claimed the entire South China Sea as their exclusive territorial waters, and heavily built up their military might and started using it against their neighbors. And when the region becomes a more dangerous place, yes, Japan should ensure that they’re able to defend themselves proportionally to meet that larger threat. But this article didn’t tell us that important information. That new information may change your mind about the need for Japan to deal with the new security environment.
The article briefly summarizes the 3/11 disaster, and then reads “The entire scenario is a jumping point for Shin Godzilla’s true dialog. Many fans seem to view the film as an allegory to Fukushima, but that’s not quite the goal”, which is strengthening Japan’s military. I almost have to laugh here because the article acts like this is a sinister goal that is masterfully hidden by this expertly-done propaganda that fools everyone but them. I think it’s pretty obvious that the movie touches on this topic where parts of the constitution are splashed onto the screen and the characters are trying to find out how many hoops they have to jump through to be able to defend themselves. This isn’t lost on most American audiences by my experience. I think it is very telling that a stronger Japan is viewed in this article as a sinister thing. The article goes onto criticize Prime Minister Abe’s move to reinterpret Article 9, which that occurred in 2014. This move allows Japan to be able to defend the US should the US get in a military conflict in East Asia. Again, I guess the article thinks the reader should recoil in terror, but I view this interpretation as a prudent measure considering how things are so volatile and unpredictable in the region.
He goes on to write that Abe and Nippon Kaigi feel the constitution is illegitimate for being influenced and “imposed” by an American agenda. Well, it was imposed, that’s a fact. The article mentions that Abe magnified the North Korea threat in order to increase US-Japan security cooperation. I don’t know that Prime Minster Abe needs to amplify any threats to Japan at this point to get anything done considering how difficult things are over there. This would also be the place for the author to mention China, but he shockingly ignores the elephant in the room.
Now the part about the tanks, this astonished me. The article states, “Ishiro Honda’s 1950s to 60s depiction of demoralized tanks retreating from a lost battle is nowhere to be found.” What? Yes there are. They’re at exactly 57:58 into the movie. I saw them with my own eyes. Tanks are destroyed by Shin Godzilla, tanks are wildly retreating, one of the tanks is buried under a bridge as its trying to escape. Like, did we watch the same movie? It’s right there, it’s right there in the movie. He’s using this supposed lack of retreating tanks to imply how the military is filled with more pride, when in actuality, they’re retreating in tanks just like an Ishiro Honda Godzilla movie. I’m not sure what the movie was supposed to do with these tanks that they didn’t do already in order to satisfy how this looks like an Ishiro Honda movie. I really don’t.
Another problematic sentence reads, “Where as GMK’s Admiral Tachibana found honor in peace, the JSDF in Shin Godzilla is proud to be deployed for their country.” That’s making it far too simple I’m afraid. I think the self-defense forces in both movies are proud to be deployed for their country AND find honor in peace just as most other military forces around the world are. It’s normal for the military to have more than one emotion at one time. So are the Japanese not supposed to have any faith or pride in their country’s military – in perpetuity? I don’t see much evidence in Shin Godzilla pointing to the JSDF having all the pride that this article implies that they have.
The most shocking material in the article is in the conclusion. And by “shocking”, I mean that Japanese people reading this article are the ones who would be shocked by it the most. The article reads, “The question is, which image should the Japanese people heed?” What he means the GMK version or the Shin version, since the article implies they’re so opposed to each other. It reads, “There’s a beating heart at the bottom of Tokyo Bay warning Japan to take responsibility for their past, and a tail-splitting amalgam of frozen humanoid beasts inspiring them to become a stronger, independent nation…It should go without saying.” Full stop. What? “It should go without saying”? Obviously he’s saying take responsibility for their past. But who does this? So you’re creating a binary false choice completely divorced from reality. You’re presenting them with an ultimatum essentially, and you’re saying “do as you’re told.” So it’s okay for Japan to be this anime wonderland, and a tributary state of the US, but they shouldn’t get any funny ideas like doing more to defend themselves, which is the right of most other nations? This article in fact plays into everything Nippon Kaigi wants to argue against. Here’s an American telling them that their destiny is not their choice, presenting them with an ultimatum, telling them they can’t become stronger, can’t become more independent, saying they have no choice and to do what they’re told. It should be up to Japan to make these kinds of decisions. They’re a United States ally, but this article treats them like World War II just ended last year. As if elected leaders of the US haven’t told the Japanese that they fought bravely in the war. Japan is the first line of defense against China and North Korea, and this article demands that Japan abandons the very idea of building up its defenses against more than one clear and present danger. Denying Japan the right to become stronger puts them and us at a disadvantage. And why can’t Japan take responsibility for their past AND become stronger and more independent? Why is it this odd, binary, false choice – one or the other? The right answer is both. Both of these movies are patriotic. Neither is nationalistic or militaristic. There will be no more Japan if they can’t defend themselves. But I just can’t with the way that Shin Godzilla is just jammed into this anti-nationalist and, at times, almost imperialist argument. The Japanese public isn’t supportive of an offensive military anyways. As of right now, Japan has one aircraft carrier. They depend on us for their defense, and they pay us about 2 billion dollars a year for that.
If you think I’m wrong about any of this, please be sure to let me know your opinion. I graduated from the O’Neill School of Public and Environmental Affairs at Indiana University-Bloomington with a concentration in comparative and international affairs. I love to talk about issues like this, and I think discussions about Japan enrich the overall level of dialogue, whether you’re a Godzilla fan or not. Have a wonderful rest of your day, stay safe, and thanks so much for listening.
If you’d like to send some feedback, I’d love to hear from you. The e-mail address email@example.com. You can also follow the podcast on Twitter, Facebook, and Instagram. Kaijuvision Radio is available on Kaijuvision.com, YouTube, Spotify, Google Podcasts, Apple Podcasts, Stitcher, Blubrry, TuneIn, and Podcast Addict. I’m Brian Scherschel, and this is KVR, Kaijuvision Radio. And I will see you next time.
In this first livestream from Kaijuvision, I discuss the Covid-19 Pandemic, the status of G-Fest with respect to the pandemic, the postponed Summer Olympic games, how important supermarket employees and other essential workers are, the reactions to the Politics of Shin Godzilla episode, how the pandemic has affected Japan, the economic impact of the coronavirus on jobs and the economy, and the status of future episodes of Kaijuvision.
The final word on the politics of Shin Godzilla, from the podcast that covered it best. Is Shin Godzilla a “nationalist” movie? As an international affairs graduate of the best public policy school in the country, I can say that it is not nationalistic. It’s patriotic. The 3/11 Disaster (Earthquake/Tsunami/Nuclear Meltdowns) had a big influence on the movie. Godzilla effectively IS the 3/11 disaster. If it was nationalistic, I wouldn’t like it as much. Watch me tell you what every fan should know about this incredible movie. I cover the satire, the realism, and much more! This is my first episode recorded on video, but you can still listen to the audio version just like every previous episode.