Episode 51: Godzilla: King of the Monsters (US) (2019)

A lot of critics know and understand the basics of the 1954 Godzilla, but they have less of an understanding of what makes a great Godzilla sequel. This movie has by far the most Toho magic of any non-Japanese Godzilla movie to date. I address the box office, the critical reviews, and how the way this film was edited is a big reason for the film’s underperformance.  The related topic for this episode is eco-terrorism and climate change.

This episode is dedicated to director Michael Dougherty.

I’d like to send a shout-out to our patrons Kyoei Toshi, Sean Stiff, William Mize, and Eric White. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:16

Part 1 – Film Description: 2:16 – 12:14

Part 2 – Opinion and Analysis: 12:14 – 1:16:53

Part 3 – Related Topic: 1:16:53 – 1:38:49

Closing: 1:38:49 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Lincoln Bank Tower (left), Allen County Courthouse (center), and The PNC Building (right)

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

 

Episode 49: Frankenstein Conquers the World (1965)

I address the film’s depiction of the atomic bombing of Hiroshima, and how that scene is edited for the English-language version. Frankenstein is a stand-in for atomic bombing victims in this movie. I’ll pay attention to the scientific ethics explored in the story too. This movie is when screenwriter Takeshi Kimura started using a pseudonym, and with this movie, I don’t blame him. The related topic for this episode is Ryuichi Shimoda et al. v. The State, the case where atomic bomb victims sued for reparations.

This episode is dedicated to Showa era screenwriter Takeshi Kimura.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:38

Part 1 – Film Description: 2:38 – 10:18

Part 2 – Opinion and Analysis: 10:18 – 38:21

Part 3 – Related Topic: 38:21 – 46:58

Closing: 46:58 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Foellinger-Freimann Botanical Conservatory, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 48: Dogora, the Space Monster (1964)

Robert Dunham has always impressed me with his performance in this movie! And his ability to speak Japanese adds to the flavor of this entertaining classic Sekizawan kaiju movie. I examine the underappreciated Mark Jackson character. I zero in on the diamond heist plot and explain why it’s in the movie, because it takes up a lot of time. I connect this movie to The Pink Panther (1963) and other classic movies that influenced it. The related topic for this episode is the Liancourt Rocks Dispute.

This episode is dedicated to Robert Dunham and Yosuke Natsuki.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:43

Part 1 – Film Description: 2:43 – 8:47

Part 2 – Opinion and Analysis: 8:47 – 37:34

Part 3 – Related Topic: 37:34 – 51:26

Closing: 51:26 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 47 (1/3): Godzilla Anime Trilogy (2017-2018): General Reflections

“The big idea was to create a thought-provoking anime-style story that introduces a cohesive concept that connects Godzilla to the entirety of human existence.”  In the first part of a special three-part episode, we give our opinions on the anime trilogy as a whole. Daniel DiManna of the Godzilla Novelization Project joins me to discuss the expectations, the risk, the lack of monster fights, and the reaction from the fandom.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 2:08

Film Description: 2:08 – 14:48

General Reflections: 14:48 – 46:35

Closing: 46:35 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: American Electric Power Building, Fort Wayne, Indiana

Video Notes: Sunset in Downtown Fort Wayne

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Behind-the-Scenes Bonus Feature: Which Movies Expanded the Godzilla Franchise?

See the diagrams of all the Godzilla movies yourself! What do you think? Which Godzilla movies expanded the style of the franchise? Roughly one in three is an expansion film. In this YouTube video, I say which ones those are. In Part 1 of every movie-centered episode of Kaijuvision Radio, the film is either listed as an expansion or a reinforcement of style. Listen as Brian says how that was determined for each Godzilla movie.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Elmhurst, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved