The Speed and Efficiency of Content Release in Season 1

By Brian Scherschel

Nate and I are creating wholly original content: Original structure, original thoughts, original opinions, original videos, original music, original art, and an original approach. We utilized our innate strengths and experiences, and after two years of planning, Kaijuvision Radio was born.

We’re fast and efficient.

We covered the entire Godzilla franchise in just 8½ months, releasing 37 weekly episodes in a row, each one with a scenic background video. The grand total came to over 50 hours of content. No one has ever done this. But it wasn’t exhausting – it was exhilarating!

Moreover, we paid attention to what we were doing the entire time.

After all, speed is nothing if you aren’t doing it right. We created our part one film descriptions in order to properly introduce the movies and compare them to each other. We structured our discussions to avoid rambling. Most importantly, we defined the goals of the podcast so clearly that they became second nature: Raise the bar of the conversation about the movies, analyze Japanese historical and cultural inputs, embrace how Godzilla changes over time, and track relevant Japanese issues as we progress. Through this unique approach, we were able to demonstrate that there’s so much more to Godzilla than meets the eye in an informative and entertaining way.

The kaiju fandom is a small yet very special group. We have met some amazing people, and our patrons have been superb. We are thankful for all of their assistance.

Our panel at G-Fest will be recorded as an episode to be released in July. Then we will continue our film journey in September, with one movie episode per month plus more interesting content in store. If you like what we’re doing, check out our Patreon page: https://www.patreon.com/kaijuvision.

We have a $1, $5, $10, and now a $25 tier introduced today. We have our official Kaijuvision Radio t-shirt, and our new official coffee mug.

Kaiju Lover ($1/month) gets you our undying thanks and access to exclusive behind-the-scenes content, including our G-Fest activities and progress reports on our work.

Kaiju Commander ($5/month) gets you the previous tier’s rewards plus a monthly shout-out in an episode and listing on our episode descriptions.

Kaiju Visionary ($10/month) gets you the previous tier’s rewards plus our official Kaijuvision Radio t-shirt after 4 straight months.

Our new reward tier introduced today is:

Kaiju Connoisseur ($25/month) gets you the t-shirt and our official Kaijuvision Radio mug after 3 straight months.

Donations go towards the merchandise, advertising, equipment, website, and data transfer fees that keep our podcast running.

To really see what we’re made of, we strongly recommend Episode 37, our Shin Godzilla episode. We hope it will change the way the fandom discusses this incredible movie.

We’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff for pledging at the Kaiju Visionary level. Thank you for your support! We really appreciate it.

Regarding Our Groundbreaking Shin Godzilla Episode

By Brian Scherschel

Some reviews so far about our revolutionary Shin Godzilla episode:

Kyoei Toshi (one of our Patrons) (via Twitter): “Not only the best examination of Shin in English, but the single best podcast episode dealing with Godzilla ever done. These guys have done an incredible amount of preparation and research for their series on the Godzilla films, and it shows in the finished product. Well done!”

Geek Devotions (via Facebook): “Check out Kaijuvision Radio’s review of ‘Shin Godzilla’. It’s probably the most comprehensive and informative discussion on the film that we’ve had the opportunity to listen to. These guys did a great job breaking down the film!”

Ben Avery (host of the podcasts Strangers and Alien & Welcome to Level Seven): “Great job with ‘Shin Godzilla’. I did find it interesting that you seemed to be arguing with invisible people who didn’t like it. I kept saying, ‘I know! I agree!’ I’m just not part of the online fandom. Whenever you talked about fan response I found it very interesting.”

We expect this episode to significantly change how Shin Godzilla is discussed in the American fandom.

In our incredible, groundbreaking season finale episode on this film, we challenge some of the conventional wisdom in the American fandom about the movie’s politics. We are of the opinion that this movie is not nationalist propaganda. Patriotic, yes. Nationalistic, no. Militaristic, no.

We wholeheartedly embrace a Godzilla that changes over time, just as it always has. Since Shin Godzilla is about the here and now, we explain the situation Japan is in right now, and the challenges they face. Because of marketing (“Cool Japan”) and the exaggerated power that nostalgia has, we say in plain English just why we’re seeing these political issues in the movie.

Shin Godzilla is not all that different from many other movies in the series. It fits into current events and stays relevant. It helps people work through trauma. It channels the public’s outrage. It expresses the Japanese national spirit. Using only the military fails. There are many more reasons.

If we had received a heavily edited version of Shin Godzilla in America and then had to wait 30+ years for it to be released, fans would have been furious. However, the result of this is that the politics came through completely unfiltered. If we had to wait decades until seeing the political elements of the movie, the political messages would be dulled by the passage of time. This time around, we get the full impact, so it’s natural that some Americans would have a reaction to what they see.

Since Hideki Anno made this movie, and since it deals with complex issues, we should not mistake meditating on issues the same thing as endorsing positions. We don’t endorse any positions either, but we do explain what’s going on in the film with all of these issues. There is also a lot of satire in this movie right up against a lot of realism. We sort all of that out. I explain all of the bureaucratic elements of the movie because it’s such an important part of the movie. We then comprehensively examine the events of 3/11/2011 and its aftermath better than anyone in the Godzilla podcasting community. We link the timeline of the disasters to the events in the film as they unfold.

Anyone who’s in the American Godzilla fandom needs to hear what we have to say in this episode. I have a background in comparative politics and international affairs, and our perspective on the movie from that angle is impressive. It’s totally worth listening to.

You can listen to this amazing episode here.

2018 Fort Wayne Cherry Blossom Festival Recap

by Nathan Marchand

On May 20, Brian and I attended the Fort Wayne Cherry Blossom Festival, a local event that celebrates Japanese culture.  It was held at the main branch of the Allen County Public Library.  It’s essentially a free one-day convention.  This was the event’s 11th year.  As we’ve mentioned before, one of Fort Wayne’s sister cities is Takaoka, so it makes sense to hold a festival each year centered on Japan.  It was my second time at the event and Brian’s first.

As the event’s website proclaims, “Five hours…so little time and so much to do!”  That was definitely true.  We had to choose our activities carefully.

First, we watched a performance by Fort Wayne Taiko.  As explained on their website, “Taiko is a Japanese musical tradition that means ‘big drum.’ The large, hollow, skin-covered drums used in taiko are played vertically, horizontally or diagonally to create a range of vibrant rhythms. But taiko isn’t simply about sound. Its characteristic beat is achieved through choreographed arm movements, as drummers ‘dance’ their sticks from drum to drum.”  They’re the only such group in Fort Wayne and one of the few in the Midwest, which makes them unique in our area.  I love watching them. (Photo below by Nathan Marchand).

Next was the opening ceremony presided over by Fort Wayne’s mayor, Tom Henry, and Consul-General Naoki Ito.  After a quick lunch from some local Japanese restaurants, we watched a performance from the Minyo Club of Indianapolis.  Minyo is a style of Japanese folk music and dance originally practiced by people as they worked.

Minyo Club of Indianapolis.  (Photo by Brian Scherschel)

Next was one of the highlights of the day: the planting of a cherry blossom tree.  Consul-General Ito brought five that were to be planted all over the city, including one in front of the library.  Both he and Mayor Henry broke ground with shovels and Laura Stine of Laura Stine Gardens planted it.  (Photo below by Nathan Marchand).

Afterward, we had the privilege of meeting Ito-san and telling him about our podcast.  He seemed impressed with our work and told us to keep it up.  It was also one of the few times I’ve seen Brian starstruck, and it was for a Japanese diplomat! (Which, honestly, isn’t surprising if you know Brian).

Brian (left) with Ito and me (right) with Ito.  (Left photo by Nathan Marchand, right photo by Brian Scherschel)

We next saw Heartland Sings, a local vocal group, perform acapella versions of several video game and J-pop songs.  My favorite was their Super Mario Bros. medley.  Interestingly, they went from the festival to a local church to perform liturgical songs. (Photo below by Nathan Marchand).

After mingling with the vendors, we attended an event Brian wanted to make sure we didn’t miss: the tea ceremony.  This is a tradition that goes back centuries and involves the ceremonial preparation and presentation of a powdered green tea called matcha.  We were able to watch a condensed version of the ceremony while a young woman, who was a student of tea master, explained everything.  It was fascinating to watch.

The Japanese tea ceremony.  (Photo by Brian Scherschel)

Then we saw a martial arts demonstration by the Indianapolis Kendo Club.  I’ve long been interested in martial arts, so I always make sure to watch demonstrations like this.  I was surprised at how noisy kendo is, but even that has the purpose of releasing the practitioner’s energy.  The most thought-provoking thing I learned was that a strike in kendo is only to illustrate that the practitioner has already won the fight. (Photo below by Nathan Marchand).

Brian left after that, but I stuck around for the cosplay contest.  This featured a parade of anime and video characters.  The top three consisted of two Pokemon characters and a female rendition of the dragon Shenron from DragonBall. (Photo below by Nathan Marchand).

Overall, it was a fun and educational experience.  Not unlike our podcast!

 

Behind-the-Scenes Bonus Feature: Creating Our Film Descriptions

In 2016 and 2017, Brian and Nate spent a lot of time developing our original, signature, audience-focused film descriptions – an analysis tailored to kaiju movies in order to be able to compare these movies to each other. The goal is to to arm the listener with the facts, rather than just read a long, boring plot synopsis from a wiki site. Quick, focused, and to the point, the descriptions last an average of 5 minutes. In our first behind-the-scenes bonus feature, we discuss the process behind our state-of-the-art creation.

MP3:

Co-Hosts: Brian Scherschel and Nathan Marchand

Editor: Brian Scherschel

Video Location: Headwaters Park, St. Mary’s River, Fort Wayne, Indiana

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel and Nathan Marchand

All Rights Reserved

Nate and Brian Appear on Geek Devotions

After frequent name-drops all month, we’re interviewed by Geek Devotions. Check it out!

Sticky: Listen/Watch Here

Featured

Quick Links to all of our listening sources plus the YouTube Playlist

Our Shin Godzilla episode is incredible.  All kaiju fans should hear it!

New articles are posted weekly on Wednesdays by 12:00pm Eastern (9am Pacific)

Next Blog: How Much I Learned about Japan on Wednesday, June 27th, 2018.

Our kaiju journey continues with Season 2 in September.

Next Episode: The Mysterians (1957) on September 19th, 2018.

We will produce episodes for the new Godzilla movies as they come out, and for the anime trilogy once the third one is released.

We will continue to post original articles, blogs, and updates every Wednesday until Season 2 premieres.

We will have our own panel, “Godzilla and the Japanese National Spirit”, at G-Fest XXV on Friday, July 13. The convention is July 13-15 at the Crowne Plaza O’Hare in Rosemont, Illinois. We hope to see you there, and we will report on our experiences after we return.

Check out our advertisement in the January 2018 issue of G-Fan Magazine!

Support Us

Episodes of Kaijuvision Radio have 3 parts:

Part 1: A short description (not a summary) of the movie.  It’s an analysis tailored to kaiju movies, to arm the listener with the facts.  At last, a way to compare these movies to each other.

Part 2: With the facts out of the way, we discuss the movie and give our opinions.

Part 3: A brand new, one-of-a-kind fusion of international affairs and movie analysis.  Japan-related topic(s) either brought up by the movie, or going on at the time the movie was released.  Topics are historical, political, economic, or cultural.

 

We give one Kaijuvision Radio T-shirt to donors at Patreon who donate at the Kaiju Visionary level ($10/month or more) for 4 straight months, and a T-shirt and a mug to donors at Patreon who donate at the Kaiju Connoisseur level ($25/month or more) for 3 straight months.

The shirt is black, and it has our official logo on the front, our slogan and QR code to our website on the back, and our web address on the sleeves.  The shirts are from Gildan.  Logo design by Tyler Sowles.

Episode Delay and Patreon Support

By Nathan Marchand

Hello, G-Fans and Kaiju Lovers!

I know what you’re thinking (because I’m psychic like Miki Saegusa): “Nate, where’s the next episode of the podcast?”

The philosophy that Brian and I have with this podcast is: “If you’re going to do it, do it right.”  Since our next episode covers “Gojira” (1954), the original Japanese masterpiece, we want this episode to be flawless.  We’ve labored long and hard researching, recording, and producing high-quality content, so I can assure you we have great stuff in store!

But guess what else, listeners? We have some awesome news! We joined Patreon! In case you’re wondering, Patreon is a simple way for you to contribute to our podcast every week and get great rewards in return. Trust me, the perks will make you this cool:

You’ll help ensure that we continue to produce new podcast episodes on our “Godzilla Journey” and beyond! We currently offer three levels of support:

$1 per month
You’ll have our undying gratitude! May the Shobijin sing a song in your honor!

$5 per month
You’ll get a shout-out at the end of the newest podcast episode and your name will be listed in the YouTube version each month you support us at this level. It’s like joining the ranks of G-Force!

$10 per month
You’ll get the previous rewards plus a Kaijuvision Radio T-shirt after four straight months of support. This is a one-time offer, so don’t be a lying Xilien!

As time goes on, we may modify and/or add more levels and rewards as our listenership increases. Be sure to share our episodes with your fellow kaiju fans!

While Brian and I love discussing these films, our podcast wouldn’t be possible without you. You’re the biggest reason we do this! Sharing our interests in Godzilla and Japan with fellow fans is why we put such hard work into this project. We hope our passion comes through in every episode that drops on your podcatcher.

Until next week…

Go, go, Godzilla!

3 Weeks Until G-Day: Godzilla DVD/Blu-Ray Guide, Part 2 – Heisei Series, Millennium Series, and Beyond

By Nathan Marchand

(Continued from Part One).

Long before Hollywood rebooted Godzilla (twice), Toho did it three times themselves. These later eras of the franchise are called the Heisei Series (1984-1995) and the Millennium Series (1999-2004). The current era started in 2016 with Shin Godzilla.

Godzilla movies get easier to find on DVD/Blu-Ray with these films since the distribution rights have been owned by fewer companies. Only two of these films were released stateside before 1998 when Tristar released them on home media as a tie-in with the 1998 remake (at least something good came of that, right?)

The Return of Godzilla/Godzilla 1985

Kraken Releasing

This one is complicated. Like with the 1954 Gojira, a heavily-edited “Americanized” version of this 1984 reboot was produced by New World Pictures. It was the only version available commercially in the states for decades. However, thanks to legal entanglements, the American version has only ever been released on VHS. But now thanks to Kraken Releasing, the original Japanese version has been made available. It was so popular, it ranked number one on Amazon’s foreign film sales for a while. The only extras are trailers for Kraken’s other Godzilla Blu-rays.

Buy it here.

Godzilla vs. Biollante

Echo Bridge Home Entertainment

While Godzilla 1985 would remain the only G-film released theatrically in the States for 15 years, Miramax did release this 1989 sequel on HBO and video in 1992. Heck, it’s one of the few widescreen VHS tapes I’ve seen. However, after being out-of-print for years, the film was released on DVD and Blu-Ray a few years ago. It has dual language tracks, widescreen presentation, and a few special features that seem as though they were taken from a Japanese DVD (including a making-of feature). It’s gotten a bit pricey, though.

Buy it here. (Or here with two free Asylum B-movies).

Godzilla vs. King Ghidorah/Godzilla vs. Mothra (1992) (aka Godzilla and Mothra: Battle for Earth)

Sony Pictures

As tie-ins with Gareth Edwards’ reboot, Sony released nearly a dozen modern G-films on Blu-Ray. These two were packaged together in a two-disc set. Unlike their previous DVD releases, they’re in widescreen and have dual language tracks. Sadly, the only special features included are several of the films’ trailers.

Buy it here.

Godzilla vs. Mechagodzilla II/Godzilla vs. SpaceGodzilla

Sony Pictures

 

After some oddball DVD editions, Sony released these films on Blu-Ray in 2014 as a two-disc Blu-Ray set. It’s the same as Sony’s other G-film Blu-Rays: widescreen, dual language tracks, and several trailers (including one where clever editing makes it look like Godzilla fights robots from the Toho sci-fi film Gunhed).

Buy it here.

Godzilla vs. Destoroyah/Godzilla vs. Megauirus

Sony Pictures

This is yet another oddity from Sony. This set includes the last film of the Heisei series and the second entry of the Millennium Series. While the pairing makes no sense, it’s an improvement over the previous DVD releases. As usual, the films are in widescreen, have dual language tracks, and include trailers.

Buy it here.

Godzilla 2000 (aka Godzilla 2000: Millennium)

Sony Pictures

Since it was released theatrically, this remains the only Millennium Series film to get a solo Blu-Ray in the U.S. It includes widescreen editions of both the original Japanese version and the slightly re-edited dubbed version of the film (the former being released stateside for the first time with this). The special features are mostly the same as the previous 2000 DVD, including trailers, behind-the-scenes footage, and an informative commentary by the team that dubbed it.

Buy it here.

Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack/Godzilla Against Mechagodzilla

Sony Pictures

The film with the insanely long “retro” title and the first of the popular Kiryu Mechagodzilla films were released together in a Blu-Ray two-pack. Like their previous DVD releases, it features widescreen presentation and dual language tracks. I hear the subtitles for GMK are improved from its DVD. The only special features are a few trailers.

Buy it here.

Godzilla: Tokyo S.O.S./Godzilla: Final Wars

Sony Pictures

The final entries in the Millennium Series were packaged together. Like the 2004 Sony DVDs, it has widescreen presentation and dual language tracks, although the subtitles are transcriptions of the dubbed dialogue (including an instance where there was added dialogue in the dubbing). However, besides a few trailers for other films (including some other Godzilla releases), it features a 22-minute behind-the-scenes featurette that showcases the special effects techniques used in both films. Neither feature music or narration, though, which makes them a bit boring.

Buy it here.

Shin Godzilla (aka Godzilla: Resurgence)

Funimation Films

I almost didn’t include this film because it was just released, making it quite easy to find. Honestly, it’s here just for the sake of completeness. The newest Godzilla film was given a limited theatrical run by Funimation Films (which normally distributes anime) in the U.S. last year. They finally put out a Blu-ray and DVD for the film August 1. It has great picture and audio, dual language tracks, and the infamous abundance of subtitles. The only special feature besides some trailers is “Godzilla vs. the Nerds,” a 33-minute interview with some of the Funimation crew that worked on the U.S. release.

Buy it here.

So my guide to collecting Godzilla DVDs and Blu-Rays comes to an end. I hope you found it helpful.

For more detailed reviews of these DVDs and Blu-rays, I highly recommend the website www.TohoKingdom.com. You’ll also find reviews of many of Toho’s other genre films on the site.

Remember, you have three weeks to start watching these films so you can follow along with Brian and I when Kaijuvision Radio launches !

4 Weeks Until G-Day: Godzilla DVD/Blu-Ray Guide, Part 1 – The Showa Era

by Nathan Marchand

Four weeks until G-Day!

With that in mind, I wanted to make it easier for you, dear listeners, to find the Godzilla films so you can follow along with us.  We live in a wonderful time and place where both the original Japanese and English-dubbed versions of these films can be purchased (with a few exceptions, as you’ll see).

There are 29 Japanese films in total, plus two American films (so far). Unfortunately, unlike other long-running franchises like the James Bond series, these films aren’t all owned by the same distributor.  Toho, the studio that created Godzilla, has divvied out the rights to several U.S. companies for the years, which makes collecting these films a bit difficult.  I will be presenting you with what I think are the best editions of each film. There are lots of bootlegs out there. Accept no substitutes!

With Godzilla becoming more popular, more titles may be re-released in the future, so this guide may soon become outdated.  Unfortunately, some of these DVDs/Blu-rays have gone out of print, so the prices have increased.  However, many of them are available on streaming services like Amazon Video.

I’m excluding both of the American remakes, both of which are easy to find.

Part one of this guide will focus on the original Showa series (1954-1975) and part two will be on the Heisei (1984-1995) series and the Millennium series (1999-2004).

You can read the fuller version of this guide on the GigaGeek Magazine website, although it’s no longer publishing articles. (Part 1, Part 2, Part 3, Part 4).

Here we go!

Gojira/Godzilla, King of the Monsters!

Classic Media

Classic Media’s DVD includes both versions of the film presented in their proper aspect ratios.  It features several retrospective making-of documentaries and commentaries on both versions.  Unfortunately, the Blu-Ray edition Classic Media released later only included the original Japanese version and no special features. Regardless, the DVD is a must-have.

Buy it here by itself or here as part of the excellent seven-film set with the other Classic Media releases.

Criterion Collection (Recommended!)

Gojira was added to the prestigious Criterion Collection in 2011 with this Blu-Ray. It includes both versions of the films in nearly identical presentations as the Classic Media discs.  However, what may convince you to buy it is the completely new special features, including new commentaries and an interview with cast and crew members. This one is a bit pricier since Criterion only has limited print runs for their releases. It’s worth it, though.

Buy it here.

Godzilla Raids Again

Classic Media

Arguably the rarest of the G-films, Godzilla Raids Again was out of print on VHS for years until the mid-2000s when it was released on DVD by Classic Media.  It includes both the original and U.S. versions of the film and a handful of special features, including a humorous commentary.

Buy it here.

Rodan

Classic Media

Classic Media followed up their Godzilla releases with this excellent DVD set that included both Rodan and War of the Gargantuas, both of which had been long out of print.  It has both the Japanese language and dubbed versions of both films as well as the excellent documentary “Bringing Godzilla Down to Size.”

Buy it here.

Mothra (1961)

Columbia Pictures

The original Mothra was finally released on DVD by Columbia Pictures several years ago as part of a three-disc set called Icons of Sci-Fi: Toho Collection.  It also included two other tokusatsu films directed by Ishiro Honda, The H-Man and Battle in Outer Space.  This set includes the original Japanese and dubbed versions of each film and has a commentary on Mothra and Battle in Outer Space.  (Mill Creek Entertainment recently released the dubbed version of this film as part of a four-film set, but unless you want those other movies, stick with this one).

Buy it here.

King Kong vs. Godzilla

Universal Studios

Universal owns the rights to several of King Kong’s films, so they released this DVD several years ago and then re-released it on Blu-Ray.  The film is in widescreen, but it only includes the dubbed version and has no special features.  Unless there’s a future release that includes the original Japanese version in widescreen, this is the one you want.  However, you can track down the Japanese version, which Brian and I recommend you do.

Buy it here.

Mothra vs. Godzilla (aka Godzilla vs. Mothra and Godzilla vs. the Thing)

Classic Media

While Classic Media’s other releases aren’t as prestigious as Gojira, they still gave fans what they always wanted.  It includes both versions of the film plus a commentary, a slideshow, and a biography on Godzilla music composer Akira Ifukube.

Buy it here.

Ghidorah, the Three-Headed Monster

Classic Media

After being out of print on VHS for years, Classic Media released this noteworthy entry in the series on DVD in the mid-2000s.  This is the first appearance of Godzilla’s archenemy Ghidorah and marks Big G’s shift to heroism.  Like other Classic Media releases, it includes both versions of the film, a commentary, and a few other special features.

Buy it here.

Invasion of Astro-Monster (aka Godzilla vs. Monster Zero, Monster Zero)

Classic Media

Classic Media does it right again.  Both versions of the films, a commentary, and a few other nice special features.  It’s amusing to watch the Japanese version of this since American actor Nick Adams is dubbed in Japanese.  Also, kudos for using the original Japanese posters as the cover art.

Buy it here.

Ebirah, Horror of the Deep (aka Godzilla vs. the Sea Monster)

Sony

After being a staple on VHS, Sony released this cheesy entry on DVD in the mid-2000s. The cool thing is this is the original Japanese cut of the film and can be watched in the original language or a new English dub. No special features, though.  This is the edition I own.

Buy it here.

Kraken Releasing (Recommended!)

If you’d rather have the film on Blu-Ray, Kraken Releasing has that for you.  It’s pretty much the same as the Sony DVD except it has the film’s original Japanese trailer.  This is the edition Brian owns.

Buy it here.

Son of Godzilla

Sony

While Sony never gave their releases the star treatment Classic Media did, they were still a step up.  Like Ebirah, this 2004 disc features widescreen presentation and dual language tracks.  The only supplements are trailers for other Sony films released at the time.  Unfortunately, for whatever reason, this one has gone out-of-print and skyrocketed in price.

Buy it here.

Destroy All Monsters

Media Blasters/Tokyo Shock

While this was originally released by the now defunct ADV Flms twice (one edition including a soundtrack), this edition is much easier to find.  Unlike ADV’s releases, it has a menu, dual language tracks, and a few special features, including a commentary. This is also the Japanese edit of the film, so fans can see the original opening credits. Unfortunately, production of the original print run was halted by Toho, so current prints of this disc doesn’t include the special features.

Buy it here.

All Monsters Attack (aka Godzilla’s Revenge)

Classic Media

As usual, Classic Media gives even what’s considered the worst G-film the star treatment.  Widescreen presentation.  Both the Japanese and American versions of the films (although they aren’t that dissimilar other than the dubbing and credits).  Special features include a commentary and a biography on director Ishiro Honda.

Buy it here.

Godzilla vs. Hedorah (aka Godzilla vs. the Smog Monster)

Sony

Once only available as an out-of-print VHS from the long-gone Orion Home Video, Sony released it on DVD in 2004 . It has no special features beyond a few trailers for other Sony films, as usual.  It has dual language tracks, including a different English dub than what was used in the VHS. Unfortunately, the film’s (in)famous theme song, “Save the Earth,” remains in Japanese unlike in the other dub.  Still, it’s a solid release. This is the edition I own.

Buy it here.

Kraken Releasing (Recommended!)

It you must have a Blu-Ray, look no further.  The Sony DVD is a little harder to find, but other than the inclusion of the film’s original trailer, this is essentially the same as the former.  Brian has this edition.

Buy it here.

Godzilla vs. Gigan (aka Godzilla on Monster Island)

Sony

This is pretty much the same story here as with Sony’s other 2004 Godzilla DVDs, though with a few things worth noting.  The subtitles are basically transcripts of the dubbed dialogue as opposed to direct translations of the Japanese dialogue.  The other issue is, since this is the international version of the film, it doesn’t include the comic book-style speech bubbles that appear over Godzilla’s head when he “talks” to Anguirus; there’s only garbled noises, making those scenes confusing.  They were dubbed—yes, dubbed—in the English language version. (You can watch the scenes with speech bubbles on YouTube, though).  I own this edition.

Unfortunately, I can’t find this version on Amazon anymore.

Kraken Releasing (Recommended!)

Essentially the same as the Sony DVD (though some say the picture quality isn’t as good).  Like the other Kraken Releasing Blu-Rays, it includes the film’s original trailer.  If you want a Blu-Ray, buy this.  Brian owns this one.

Buy it here.

Godzilla vs. Megalon

Media Blasters/Tokyo Shock

It took years of terrible unlicensed releases and a lot of finagling, but Media Blasters finally gave this, arguably the most-watched Godzilla movie, an official release. Unfortunately, Toho delayed this release for nearly a year, and then only a barebones DVD and later a Blu-Ray was put out.  Ironically, some DVD copies containing special features were accidentally printed and released.  These go for a pretty penny on Amazon if found.

Buy it here by itself or here with Destroy All Monsters.

Godzilla vs. Mechagodzilla (aka Godzilla vs. the Cosmic Monster, Godzilla vs. the Bionic Monster)

Sony

Remember what I said about Sony’s other 2004 DVDs?  Same story here: widescreen presentation, dual language tracks, and a few mostly unrelated trailers.  There’s an omission in the subtitles, though.  In a scene where a scientist talks about his special pipe, the crazy-sounding metal it’s made of is subtitled, “a???” Either the subtitler forgot to add it before the disc was released or he didn’t bother to figure out how to write it. Some people—like me—may find this humorous.

Buy it here.

Terror of Mechagodzilla

Classic Media

This is arguably Classic Media’s best release next to Gojira/Godzilla, King of the Monsters.  It includes the original Japanese version, which is the biggest plus.  However, unlike with the other DVDs, the American version in this one is the “extended” cut shown on television.  It contains most of the original Japanese footage (except for some brief “nudity” during a medical operation) and a “history of Godzilla” sequence made by editing together footage from several 1960s Godzilla films.  This was done to pad out the film to fit in a two-hour timeslot.  Both versions are in widescreen (except for the aforementioned “history of” sequence, but the aspect ratio switches when it’s done).  It includes an entertaining commentary and an image gallery, but no other special features, which is the only downside.  This is a must-have.

Buy it here.

Come back next week for Part Two!