Episode 47 (3/3): Godzilla Anime Trilogy (2017-2018) – Godzilla: Bigger Than Human Existence

Daniel and I go further into what the anime trilogy makes us think about. We examine which historical figures the Exif could have been responsible for, the inevitability of Godzilla, the cycle of civilizations, and a fun economic term called entropy pessimism. I compare the story in the anime trilogy to Westworld, Blade Runner, Chrono Trigger, the book of Genesis, the legend of Icarus, and I Heart Huckabees.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 1:10

Main Discussion: 1:10 – 51:42

Closing: 51:42 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: Ash Brokerage, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 47 (2/3): Godzilla Anime Trilogy (2017-2018): Main Discussion

Haruo asks Metphies “Why are you showing me this?”  This is also what some people watching the anime trilogy were thinking.  We’ll give our opinions and share our reactions to these experimental, risky, and unrestrained trio of movies.  We appreciate the story and how it brings up intriguing concepts and ideas.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 2:08

Main Discussion: 1:13 – 1:48:30

Closing: 1:48:30 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: Lafayette Park, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 47 (1/3): Godzilla Anime Trilogy (2017-2018): General Reflections

“The big idea was to create a thought-provoking anime-style story that introduces a cohesive concept that connects Godzilla to the entirety of human existence.”  In the first part of a special three-part episode, we give our opinions on the anime trilogy as a whole. Daniel DiManna of the Godzilla Novelization Project joins me to discuss the expectations, the risk, the lack of monster fights, and the reaction from the fandom.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 2:08

Film Description: 2:08 – 14:48

General Reflections: 14:48 – 46:35

Closing: 46:35 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: American Electric Power Building, Fort Wayne, Indiana

Video Notes: Sunset in Downtown Fort Wayne

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Behind-the-Scenes Bonus Feature: Which Movies Expanded the Godzilla Franchise?

See the diagrams of all the Godzilla movies yourself! What do you think? Which Godzilla movies expanded the style of the franchise? Roughly one in three is an expansion film. In this YouTube video, I say which ones those are. In Part 1 of every movie-centered episode of Kaijuvision Radio, the film is either listed as an expansion or a reinforcement of style. Listen as Brian says how that was determined for each Godzilla movie.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Elmhurst, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Announcement of Season 2 Episode List / “My Farewell Address”

by Brian Scherschel

What’s Next

Get ready for a season of great classic Toho movies starting next month!!!

Season 2 of Kaijuvision will premiere on Wednesday September 19 with “The Mysterians”.  Episodes for the newer Godzilla movies will debut shortly after the movies are released.

The new episodes will follow the same 3-part structure (Description/Opinion and Analysis/Related Topic).  Episodes will debut every other week on Wednesdays at noon Eastern.  I’ll release the DVD guide for these movies next week.

Season 2 Lineup:

The Mysterians (1957)
Varan (1958)
Battle in Outer Space (1959)
The Last War (1961)
Gorath (1962)
Matango (1963)
Atragon (1963)
Dogora, the Space Monster (1964)
Frankenstein Conquers the World (1965)
Godzilla Anime Trilogy (all in one episode)
War of the Gargantuas (1966)
Latitude Zero (1969)
Space Amoeba (1970)
The Submersion of Japan (1973)
War in Space (1977)
Godzilla: King of the Monsters (2019)

My Commitment to the Fans of Kaijuvision Radio

As the show continues, many things won’t change, but a few things will.

I may be disabled from a number of physical health issues and I may be acting as a caregiver for my 96-year old grandmother, but those two things didn’t stop me when I decided to create this podcast, and can promise you they won’t now either.  My devotion to my grandmother, maintaining my health, and this podcast is unwavering.

I will be taking on sole responsibility for the podcast here on out.

Currently our Patreon donations are not fully covering the monthly data fees and storage for the distribution of the podcast.  Please visit the Kaijuvision Radio Patreon site to see just what you will get back for your donation.

I knew I wanted to create something different and unique.  Mission accomplished there.

Thank you Nathan for your many visits to Kaijuvision Radio HQ and for your contributions to the podcast.

Thank you to all fans of Kaijuvision Radio for watching/listening, and for your positive responses to this truly great show!

If you like what you’ve seen and heard so far, you’ll love what comes next.

-Brian


“My Farewell Address”

by Nathan Marchand

It is with a heavy heart that I tell all of you, G-fans and kaiju lovers, that I am stepping down from Kaijuvision Radio. I will be starting grad school, working at the university as a teaching assistant, and moving to a new apartment. While I’ll still be in our local area, all those changes would make it difficult to produce the high-quality content that is the staple of this podcast.

I was determined to make it work, but upon further consideration, I’ve realized that I need to take time to get used to my “new normal.” I simply wouldn’t be able deal with the additional pressure during this time of adjustment. I believe in the work we’ve done on this podcast, and I love our listeners. So, as much as I wanted to discuss some classic Toho tokusatsu, that just isn’t in the cards right now.

On the bright side, this will give me a chance to finish some writing projects. I have some books in the works, so my spare energy for the time being will be diverted to those. Feel free to follow my progress on my website (www.NathanJSMarchand.com) Facebook (www.Facebook.com/nathanjsmarchand), and Twitter (@NathanMarchand7).I do plan to stay involved with the kaiju fandom. I’ve spent too much time and effort researching these films not to be. So, don’t worry: I’m not disappearing. Like Godzilla himself, I’ll still be around, even if I’m just hanging out on Monster Island and not stomping through cities.As I often say at the end of a KVR episode…Sayonara!

G-Fest XXV (2018): Daniel DiManna Interview

I must say this interview is an immensely impressive accomplishment of film appreciation!

At G-Fest XXV, Nate and Brian recorded an interview with Daniel DiManna of the Godzilla Novelization Project.  His goal is to complete novelizations of every Japanese Godzilla movie.  We discuss putting oneself in the minds of the many great characters in the movies, which films will be the most challenging to novelize, and what other challenges emerge when undertaking this long-term project.  We had an enjoyable time and you will too when you listen to this.

You can visit the Godzilla Novelization Project homepage here.

We’d like to send a shout-out to our patron Sean Stiff for pledging at the Kaiju Visionary level. Thank you for your support! We really appreciate it.

MP3:

 

Co-Hosts: Brian Scherschel and Nathan Marchand

Editor: Brian Scherschel

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel

All Rights Reserved

G-Fest XXV (2018): John LeMay Interview

At G-Fest XXV, Brian and Nate interviewed kaiju author John LeMay.  His latest book is called “Terror of the Lost Tokusatsu Films!”.  We address a few lost Godzilla films, his research process, why some of these lost films didn’t get made, and how some elements of these films could still end up in newer movies.  Some titles we discuss include “Bride of Godzilla”, “Batman Meets Godzilla”, “Tokyo S.O.S.: Godzilla’s Suicide Strategy”, and “Godzilla: Legend of the Asuka Fortress.”  Check out all of John’s books on his Amazon site here.

Nathan Marchand (Left), John LeMay (Center), Brian Scherschel (Right)

MP3:

 

Co-Hosts: Brian Scherschel and Nathan Marchand

Editor: Brian Scherschel

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel

All Rights Reserved

G-Fest XXV (2018) Panel: Godzilla and the Japanese National Spirit

As promised, here’s the audio and video of our G-Fest Conference panel, which took place at 3:00pm (CDT) on July 13, 2018 at the Crowne Plaza O’Hare in Rosemont, Illinois. We had a larger-than-expected turnout, including several attendees who were listeners and a university professor who was impressed with our presentation. If he was amazed, we know you’ll be, too!

In this, we discuss Godzilla (1954), The Return of Godzilla (1984), Shin Godzilla (2016), and Godzilla vs. Gigan (1972), and the international relations issues that were surrounding them when they were made.

We introduce ourselves, the podcast, and its mission. Then Nate examines the 1954 and 1984 movies with respect to the JSDF, the US-Japan Alliance, and Japanese domestic issues. Brian then updates the audience on what has happened in Japan and the world between 1984 and 2016. Nate examines the 2016 movie across the same issues. Brian analyzes Godzilla vs. Gigan and all that the movie communicates to the audience about globalization. Brian finishes the panel by mentioning what all will happen to Japan in 2019 and 2020, and gives a spirited case for defending democracy.

MP3:

 

 

Kaijuvision Radio Published in Nippon Quarterly – Fort Wayne’s Japanese Language Newsletter

by Brian Scherschel

As you know, Kaijuvision is headquartered in Fort Wayne, Indiana.  The local Japanese language newsletter in town is called the “Nippon Quarterly”, and they published Brian’s description of our podcast – AND they translated it into Japanese!

The Nippon Quarterly’s motto is “Everything Japanese in the Fort Wayne Area”, and is edited by Michele Yamanaka.  The newsletter is sponsored by the Japanese-American Association of Indiana, Inc. (JASI), a 501(c)(3) non-profit founded in 1988.  The JASI also sponsors the yearly Cherry Blossom Festival in Fort Wayne, which Nate and I visited this summer.

You can learn more about the JASI and their mission here: https://www.facebook.com/pg/japanindiana/about/?ref=page_internal

One of Kaijuvision’s goals is promoting cultural understanding between the United States and Japan, one of our most important allies in East Asia and the world.  Yes, our podcast is about kaiju and other Japanese movies, but as our listeners know, we do so much more than that.

And the newsletter page looks so nice!

 

 

Kaijuvision Radio at G-Fest XXV

Another G-Fest has come and gone.  I (Nate) am still recovering from the post-convention blues.  Reality has been slowly sinking back in as I go back to my jobs. One would think I’d be used to this by now, what with all the conventions I attend, but it’s never easy.  Regardless, the consensus is this was the biggest and best G-Fest yet.  For a convention its size, there’s lots to do.

If you were one of our patrons on Patreon, you got exclusive up-to-the-minute access during the weekend.  If you’d like to have that and other exclusive content, please consider supporting us on Patreon!

Panels

Brian and I upped the ante this year, signing up to be part of five panels between us—including our own!  In case you didn’t know, it was titled, “Godzilla and the Japanese National Spirit.”  At least several of the attendees were listeners, who we met beforehand and after the presentation.  It really humbled us upon learning how many fans we got to be able to meet.  Our presentation went well, and our audience asked some great (and fun) questions.  One attendee was a university professor from New York, who was impressed with us.

A special thank you to everyone who attended!  For those who couldn’t make it, we’ll be sharing the audio and video July 25.

I (Brian) was a member of the “GINO” Panel, which discussed Godzilla 1998 on its 20th anniversary.  It was my first panel ever, and I shared some of the wisdom from the episode on the movie.  My main points included how the ad campaign was better than the movie, that it should have ended at 90 minutes, how no one could say those lines and sound good, and how there are many far better movies out there if you just want a good popcorn movie.  Half of the audience said they hated the movie, so I felt like I represented them well.

Saturday was a busy day for me (Nate).  I was on three panels, with two of them in a row! The first was “Godzilla Stories,” an annual panel where people share their fanfictions and/or how Godzilla has impacted their lives.  There were several touching stories—including one from a mother who lives in Fort Wayne!—and I got to encourage some young writers with their fanfictions. The second was the similar “Art of Kaiju Writing.”  You may remember this as the panel I got myself on at the last minute last year.  This was a writing advice panel, and I was one of four “pros” answering questions.  This was immediately followed by the “Pacific Rim 2” panel.  I was one of four people who discussed the film.  By “discuss,” I mean, “utterly destroy.”  Nobody on it liked it much, and I was quite outspoken about it.

Celebrities

We were all saddened when the great Akira Takarada, the “Godfather of G-Fest,” was unable to visit us.  However, J.D. Lees and the organizers were able to book not one but two great replacements: Don Frye and Kenpachiro Satsuma. Brian and I made sure to meet them as well as Megumi Odaka and G-Fest staple Robert Scott Field.  I’m happy to say my Blu-ray of Godzilla vs. King Ghidorah has been signed by three of its stars.

I (Brian) was really happy to meet Megumi Odaka for the first time.  Incidentally, Godzilla vs. Biollante was selected in another panel to be the “Greatest Godzilla Movie of All Time”, which seemed fitting, as this was her first of the six movies she appeared in.  It was fun meeting Don Frye and his panel was overwhelmingly entertaining and fun.

Here are some photos of our meetings:

We meet Don Frye.

Brian meets Megumi Odaka.

Interviews

For the first time, we interviewed guests for the podcast at this year’s G-Fest.  The first was John LeMay, author of 18 books, including The Big Book of Japanese Giant Monster Movies: The Lost Films and his newest book, Terror of the Lost Tokusatsu Films.  Our second interview was Danny DiManna (aka Danzilla93), a listener and, more importantly, the creator of the Godzilla Novelization Project.  His goal is to write a novelization of all 30+ Japanese Godzilla films.

Both of these interviews will be posted sometime in August.

Personal Anecdotes (Nate)

I’m glad I went to last year’s G-Fest because it helped me understand the convention’s unique personality.  That made it easier to “break in,” so to speak, this year.  It also helped that Brian and I stayed in the Crown Plaza Hotel, where the convention was held, which also allowed us to experience another part of G-Fest: the in-house TV station.  Starting Thursday and running until Monday morning, the hotel’s informational channel broadcast various tokusatsu films, TV series, and documentaries.  Brian and I were able to watch things like Super Inframan, Yokai Monsters, and Agon: Atomic Dragon.  It was fun.  As the G-Fest program put it, turn off sports and news for a few days.

I also attended many of the film screenings at the Pickwick Theatre.  The first double-feature on Thursday was The Valley of Gwangi and Dinsosaurus!  I’d not seen either one, so it was a treat to see them on the big screen.  Gwangi is a legitimately good film while Dinosaurus! is asking to be on Mystery Science Theatre 3000 (it kinda has been already).  I haven’t laughed at or riffed a film so much at the theatre in my life as I did at the latter.  What made it better was my fellow theatre-goers were also riffing it, adding to the fun.  Friday night I went with Danny and his friends to see Rampage, which I hadn’t seen yet.  It wasn’t great, but it was better than it had any right to be.  Saturday I was joined by them again to see the main event: a screening of Godzilla and Mothra: The Battle for Earth, which was introduced by Satsuma.  While I’ve seen this film many times, I went primarily for the experience.  Did it help the Heisei film seeing on the big screen?  Not really.  It actually made the flaws more obvious.  However, I saw it with a crowd of fans, which made the screening exciting.

One of the things that makes G-Fest special is it feels like a family.  It’s a small and active con that is slowly growing.  Everyone knows everyone and is welcoming to newcomers.  Now that we’ve gotten more involved with the show, Brian and I feel even more like a part of that family.  We love it.

Here’s to another 25 G-Fests…and beyond!