Episode 49: Frankenstein Conquers the World (1965)

I address the film’s depiction of the atomic bombing of Hiroshima, and how that scene is edited for the English-language version. Frankenstein is a stand-in for atomic bombing victims in this movie. I’ll pay attention to the scientific ethics explored in the story too. This movie is when screenwriter Takeshi Kimura started using a pseudonym, and with this movie, I don’t blame him. The related topic for this episode is Ryuichi Shimoda et al. v. The State, the case where atomic bomb victims sued for reparations.

This episode is dedicated to Showa era screenwriter Takeshi Kimura.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:38

Part 1 – Film Description: 2:38 – 10:18

Part 2 – Opinion and Analysis: 10:18 – 38:21

Part 3 – Related Topic: 38:21 – 46:58

Closing: 46:58 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Foellinger-Freimann Botanical Conservatory, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 48: Dogora, the Space Monster (1964)

Robert Dunham has always impressed me with his performance in this movie! And his ability to speak Japanese adds to the flavor of this entertaining classic Sekizawan kaiju movie. I examine the underappreciated Mark Jackson character. I zero in on the diamond heist plot and explain why it’s in the movie, because it takes up a lot of time. I connect this movie to The Pink Panther (1963) and other classic movies that influenced it. The related topic for this episode is the Liancourt Rocks Dispute.

This episode is dedicated to Robert Dunham and Yosuke Natsuki.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:43

Part 1 – Film Description: 2:43 – 8:47

Part 2 – Opinion and Analysis: 8:47 – 37:34

Part 3 – Related Topic: 37:34 – 51:26

Closing: 51:26 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 47 (1/3): Godzilla Anime Trilogy (2017-2018): General Reflections

“The big idea was to create a thought-provoking anime-style story that introduces a cohesive concept that connects Godzilla to the entirety of human existence.”  In the first part of a special three-part episode, we give our opinions on the anime trilogy as a whole. Daniel DiManna of the Godzilla Novelization Project joins me to discuss the expectations, the risk, the lack of monster fights, and the reaction from the fandom.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 2:08

Film Description: 2:08 – 14:48

General Reflections: 14:48 – 46:35

Closing: 46:35 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: American Electric Power Building, Fort Wayne, Indiana

Video Notes: Sunset in Downtown Fort Wayne

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Behind-the-Scenes Bonus Feature: Which Movies Expanded the Godzilla Franchise?

See the diagrams of all the Godzilla movies yourself! What do you think? Which Godzilla movies expanded the style of the franchise? Roughly one in three is an expansion film. In this YouTube video, I say which ones those are. In Part 1 of every movie-centered episode of Kaijuvision Radio, the film is either listed as an expansion or a reinforcement of style. Listen as Brian says how that was determined for each Godzilla movie.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Elmhurst, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 44: Gorath (1962)

And now it’s time to appreciate the immense imaginative power of Gorath! When it comes to mind-bending Toho technology, rows of atomic-powered thrusters nearly the size of New Mexico in Antarctica is on par with the Dimension Tide black hole gun from Godzilla vs. Megaguirus –and I love both of these inventions! A special effects tour de force, Gorath is everything that a toku fan would want. It even has a kaiju – Maguma! Well, the Japanese version does, at least. The English language version is the very definition of mediocrity. The related topic for this episode is Near-Earth Objects (NEOs),Planetary Defense, and other scientific aspects related to Gorath.

This episode is dedicated to Ryo Ikebe.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 1:40

Part 1 – Film Description: 1:40 – 8:28

Part 2 – Opinion and Analysis: 8:28 – 42:10

Part 3 – Related Topic: 42:10 – 58:20

Closing: 58:20 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Rousseau Centre (left) and First Financial Center at the Anthony Wayne Building (center right), Fort Wayne, Indiana

Video Notes: The Rousseau Centre (completed in 1971) and the Anthony Wayne Building (completed in 1964) are examples of mid to late 1960s architecture.

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 43: The Last War (1961)

Brian and Daniel team up for this rare and incredible tokusatsu disaster film from Toho. Find it and watch it! It’s a nuclear war scenario between stand-ins for NATO and the Warsaw Pact at the height of the Cold War – and Japan is caught in between! It’s like an Ozu film with Tsuburaya’s special effects in it. It’s also a nearly perfect film for this show (besides Shin Godzilla). Includes a talented cast including Akira Takarada, Yuriko Hoshi, Frankie Sakai, and Jerry Ito. The related topic for this episode is NATO (North Atlantic Treaty Organization).

You can find Daniel DiManna’s Godzilla Novelization Project here:

godzillanovelizationproject.wordpress.com

This episode is dedicated to Yuriko Hoshi.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

 

MP3:

Introduction: 0:00 – 2:01

Part 1 – Film Description: 2:01 – 8:19

Part 2 – Opinion and Analysis: 8:19 – 1:23:25

Part 3 – Related Topic: 1:23:25 – 1:41:36

Closing: 1:41:36 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: Giant American Flag, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 42: Battle in Outer Space (1959)

Daniel DiManna of the Godzilla Novelization Project comes back to the show to review this tokusatsu extravaganza. The film is based in science-fiction, action, and Ishiro Honda’s particular brand of optimistic pacifism. With the combination of superb models and vehicles, top-notch effects, and a unique fast-paced story, the movie does everything well all at once. We discuss how cool it would be to be inside the theater that gets destroyed by an absolute zero weapon in the movie you’re watching in it, Yoshio Tsuchiya’s mind control adventure, and militarizing the crap out of the space program in the name of peace. The related topic for this episode is the Space Race between the United States and the Soviet Union.

You can find Daniel DiManna’s Godzilla Novelization Project here:

godzillanovelizationproject.wordpress.com

This episode is dedicated to Eiji Tsuburaya.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

 

MP3:

Introduction: 0:00 – 2:36

Part 1 – Film Description: 2:36 – 7:10

Part 2 – Opinion and Analysis: 7:10 – 1:41:23

Part 3 – Related Topic: 1:41:23 – 1:59:17

Closing: 1:59:17 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: Lincoln Bank Tower, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 40: Varan (1958)

Kaiju non-fiction author John LeMay joins me for a detailed analysis on the good Japanese version of Varan, and a brief review of the pain-inducing American version “Varan, the Unbelievable” starring Myron Healey from “The Unearthly” and released in theaters by the same company that gave us “The Skydivers” and “Beast of Yucca Flats”. John tells us all about the complicated story behind the making of Varan, because it was originally meant for television. We talk about Varan and his design and complicated origin. I notice the many similarities between Yuriko from this movie and Yuri from GMK (2001). The related topic for this episode is the hisabetsu-buraku (discriminated communities), who may be represented as the natives in the movie.

You can find all of John LeMay’s books on Amazon here: http://www.amazon.com/John-LeMay/e/B003KTW83K/ref=sr_ntt_srch_lnk_2?qid=1539779359&sr=8-2.

This episode is dedicated to master prop and monster suit builder Keizo Murase.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:02

Part 1 – Film Description: 2:02 – 8:01

Part 2 – Opinion and Analysis: 8:01 – 54:51

Part 3 – Related Topic: 54:51 – 1:05:48

Closing: 1:05:48 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: John LeMay

Video Location: Fox Island County Park (Bowman Lake), Allen County, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 39: The Mysterians (1957)

They want your land, your women, then more of your land, and, well, you get the idea. The aliens have even searched through binders full of women for very best ones. Listen as I analyze Moguera, the Markalite FAHPs, and those fabulous matte paintings! And then I’ll connect the story in the movie to contemporary events: The normalization of diplomatic relations between Japan and the Soviet Union in 1956.

This episode is dedicated to eminent virtuoso actor Takashi Shimura.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:35

Part 1 – Film Description: 2:35 – 10:04

Part 2 – Opinion and Analysis: 10:04 – 33:19

Part 3 – Related Topic: 33:19 – 45:39

Closing: 45:39 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Hampton Inn & Suites by Hilton construction site, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 38: Half Human (1955)

Season 2 at Kaijuvision Radio begins with the first non-Godzilla kaiju film from Toho Studios.  This Japanese take on the Abominable Snowman phenomenon is a story about the dark side of humanity.  The Japanese cut of the movie is effectively banned in Japan because of its depiction of the Ainu people as savages.  I find interesting parallels between this film and Disney’s “Song of the South” (1946), as well as “Boggy Creek II: And the Legend Continues” (1984), which was made famous by Mystery Science Theater 3000.  The related topic is The Genetic Origin of the Ainu People.

This episode is dedicated to the great Ishiro Honda.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level.  Thank you for your support!  I really appreciate it.

MP3:

Introduction: 0:00 – 4:27

Part 1 – Film Description: 4:27 – 11:08

Part 2 – Opinion and Analysis: 11:08 – 28:57

Part 3 – Related Topic: 28:57 – 40:18

Closing: 40:18 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: American Electric Power Building, Fort Wayne, Indiana

Video Notes: The clouds in this video are part of the west edge of the remnants of Hurricane Florence, taken on September 17, 2018 in Fort Wayne.  We wish a speedy recovery to everyone effected by this disastrous hurricane.

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved