Episode 50: War of the Gargantuas (1966)

With beautiful cinematography, detailed miniatures, and lots of work involving water, War of the Gargantuas is an incredible movie! Russ Tamblyn gives us a natural and cool performance in his role as Dr. Stewart. This movie is so refreshingly itself. The related topic for this episode is the recent ascension of Emperor Naruhito.

This episode is dedicated to actor Russ Tamblyn.

I’d like to send a shout-out to our patrons Kyoei Toshi, Sean Stiff, and William Mize. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 5:09

Part 1 – Film Description: 5:09 – 12:38

Part 2 – Opinion and Analysis: 12:38 – 34:48

Part 3 – Related Topic: 34:48 – 51:35

Closing: 51:35 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: South Anthony Boulevard, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

 

Kaijuvision Radio Merchandise Now Available!

I was delayed in getting episodes out this month, and here’s why:

To celebrate the 50th episode of the show, Kaijuvision merchandise is now available on Redbubble!

http://www.redbubble.com/shop/kaijuvision?search_type=search_box

Show off your affinity for the most visionary kaiju and tokusatsu podcast around!

40 different products in all ranges of colors and sizes.  Fashion, home decor, phone cases, laptop sleeves, art prints, clocks – virtually every product that Redbubble offers!

The premium T-shirts (ethically-sourced and made-to-last) still catch my eye the most.  They come with their own wash bag and look very comfortable to wear.  The acrylic blocks, travel mugs, and metal prints look incredible too.

The images on each individual item are derived from vectored artwork, ensuring that the artwork is printed at the highest quality possible.

The art for the show looks really good, and I wanted listeners to be able to experience this art personally.

The KVR sphere is Kaijuvision Radio’s official logo:

The Torii Gate Banner is the official banner art of Kaijuvision Radio:

The story about the banner art is really interesting:

The high-resolution digitally-created Torii Gate Banner is just as unique as Kaijuvision Radio is in the podcasting world. Torii are gates at Shinto shrines. They represent the entrance into a sacred space. These gates can also be thought of as gates between the normal and the supernatural/unknown.

Thus, the unnamed and mysterious kaiju is on the other side of the gate. Since Kaijuvision has an emphasis on Japanese topics, having a Torii Gate (a well-recognized feature associated with Japan) in the banner art is most appropriate.

The clock is modeled after the famous Doomsday Clock, introduced in 1947. The Doomsday Clock is a metaphor for the threats of unchecked scientific and technological advances to humanity’s existence. The clock is at 5 minutes to midnight, while the time on the real Doomsday Clock changes.

The Doomsday Clock connects to kaiju movies because it represents many of the same things Godzilla and some other kaiju represent. Godzilla is a manifestation of these unchecked scientific advances. The Doomsday Clock connects to Kaijuvision Radio because of the array of real-world topics that are covered on the show.

Brian Scherschel worked with a Japanese Patreon donor to create the design concept, and American artist Kevin C. Geary created the art.

Episode 49: Frankenstein Conquers the World (1965)

I address the film’s depiction of the atomic bombing of Hiroshima, and how that scene is edited for the English-language version. Frankenstein is a stand-in for atomic bombing victims in this movie. I’ll pay attention to the scientific ethics explored in the story too. This movie is when screenwriter Takeshi Kimura started using a pseudonym, and with this movie, I don’t blame him. The related topic for this episode is Ryuichi Shimoda et al. v. The State, the case where atomic bomb victims sued for reparations.

This episode is dedicated to Showa era screenwriter Takeshi Kimura.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:38

Part 1 – Film Description: 2:38 – 10:18

Part 2 – Opinion and Analysis: 10:18 – 38:21

Part 3 – Related Topic: 38:21 – 46:58

Closing: 46:58 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Foellinger-Freimann Botanical Conservatory, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 48: Dogora, the Space Monster (1964)

Robert Dunham has always impressed me with his performance in this movie! And his ability to speak Japanese adds to the flavor of this entertaining classic Sekizawan kaiju movie. I examine the underappreciated Mark Jackson character. I zero in on the diamond heist plot and explain why it’s in the movie, because it takes up a lot of time. I connect this movie to The Pink Panther (1963) and other classic movies that influenced it. The related topic for this episode is the Liancourt Rocks Dispute.

This episode is dedicated to Robert Dunham and Yosuke Natsuki.

I’d like to send a shout-out to our patron Sean Stiff for donating at the Kaiju Visionary level and William Mize for donating at the Kaiju Commander level. Thank you for your support! I really appreciate it.

MP3:

Introduction: 0:00 – 2:43

Part 1 – Film Description: 2:43 – 8:47

Part 2 – Opinion and Analysis: 8:47 – 37:34

Part 3 – Related Topic: 37:34 – 51:26

Closing: 51:26 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Video Location: Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved

Episode 47 (3/3): Godzilla Anime Trilogy (2017-2018) – Godzilla: Bigger Than Human Existence

Daniel and I go further into what the anime trilogy makes us think about. We examine which historical figures the Exif could have been responsible for, the inevitability of Godzilla, the cycle of civilizations, and a fun economic term called entropy pessimism. I compare the story in the anime trilogy to Westworld, Blade Runner, Chrono Trigger, the book of Genesis, the legend of Icarus, and I Heart Huckabees.

This episode is dedicated to actor Ren Osugi.

I’d like to send a shout-out to our patrons Kyoei Toshi and Sean Stiff. Kyoei donated at the Kaiju Scholar Level and Sean donated at the Kaiju Visionary Level. Thank you for your support! I really appreciate it.

Visit the Godzilla Novelization Project here: http://godzillanovelizationproject.wordpress.com/

MP3:

Introduction: 0:00 – 1:10

Main Discussion: 1:10 – 51:42

Closing: 51:42 – End

 

Host/Editor/Director/Scenic Videos: Brian Scherschel

Guest Co-Host: Daniel DiManna

Video Location: Ash Brokerage, Fort Wayne, Indiana

Music: Audiophiliac (www.fiverr.com/audiophiliac)

“Torii Gate” Banners: Kevin Geary (kevincgearydesign.com)

Logos: Nanoparticles (www.fiverr.com/nanoparticles)

Copyright Brian J. Scherschel

All Rights Reserved