Why This Is a Perfect Time to Create a Godzilla Podcast

By Brian Scherschel

One week until the premiere of Episode 1.  Brian gives us the big picture, and connects Godzilla to international affairs, history, and current events.

Host: Brian Scherschel

Editor: Brian Scherschel

Video Location: Metea Park, Allen County, Indiana

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel

All Rights Reserved

Transcript:

Hi, this is Brian Scherschel. I co-host Kaijuvision Radio with Nathan Marchand. We only have one week remaining until the release of our first episode next Wednesday, so as the final preparation for beginning our show, I will tell you why it’s the perfect time to create a Godzilla podcast.

I have a Masters Degree in Public Administration and I studied International Affairs and Comparative Politics. Many of the Godzilla movies express the Japanese national spirit in one way or another, whether on economic, social, or political subjects, and discussing these films is an incredibly interesting way to look at Japan. In my opinion, it’s too easy to discuss Godzilla without discussing Japan.

The world is drastically changing and a lot of us wonder what’s going to happen. The nation-state system is undergoing a partial collapse. The creative destruction of capitalism is uncontrollable. The progression of technology and artificial intelligence is reforming the world in ways previously thought impossible. The advancement of genetics will assuredly change the course of history. The world as we know it is collapsing and rebuilding itself, and there is constant death and rebirth.

The post-World War II and post-Cold War order is disintegrating, and the United States is losing its position not only as the dominant military power in the world but also as the leader of the world economic order. As the United States gives up its quasi-imperial role, we will enter a new, likely unstable, multi-polar era. This means that much of the world will go through a re-balance of power, and East Asia will likely be the epicenter of that re-balance.

Advanced industrial societies face many challenges, but in Japan, they are much more intense. Japan has a high debt to GDP ratio, which in 2016 was 250%, which is by far the highest in the world. The economy is stagnant, inflation is very low, and there are 148 jobs for every 100 applicants, which means many jobs are left unfilled. Japan has the most rapidly aging population in the world. Their total population could decline by about 26 million before it stabilizes to around 100 million. That’s slightly over 20% of Japan’s population predicted to disappear. Japan’s high government spending on the elderly and the pension system is a major contributor to the debt. Japan’s young people are up against the harsh reality of bearing the burdens of living in a gerontocracy. They face declining wages and higher taxes, which has caused them to delay getting married and having children, which makes the demographic crisis worse.

Aside from economic and demographic issues, Japan finds itself in an increasingly unstable and unfriendly East Asia. North Korea is a major destabilizing force in the region because of its nuclear program, missile tests, and kidnapping of Japanese citizens over the years. Japan is as far from North Korea as San Francisco is from Seattle. China has taken aggressive steps in the region, specifically its contested claim of ownership of the Senkaku Islands, which are currently administrated by Japan. The number of air defense incidents between Japan and foreign aircraft has rapidly increased in recent years. China has also established the nine-dash line which is the demarcation line of its claim to nearly all of the South China Sea as its exclusive national territory, including the Paracel Islands and the Spratly Islands. China has ignored a 2016 decision by a UN-constituted arbitral tribunal which declared their claim invalid. China has recently established bases on multiple islands in the Spratlys with surface-to-air missiles, long runways, and fortifications. The rise of China is one of the biggest forces of change in the world at this time.

There are many pressures on Japan to increase its military power. These include the pressure of the perceived threat of China, the pressure exerted by the United States to be a more equal partner in the US-Japan alliance because of its own debt and the shrinking of its quasi-empire, and the pressure of Prime Minister Abe’s party to strengthen the Japanese military. However, some Japanese citizens are weary of war and want the government to concentrate on the economy instead of constitutional revisions. In addition, some Japanese, particularly Okinawans, want US forces to leave but Japan, but at the same time, Japan remains almost entirely dependent on the US for defense.

What I find even more interesting is that Japan has built up a huge amount of “soft power”. This relates to the “Cool Japan” phenomenon or what’s called Japan’s “Gross National Cool”. Another nickname for Japan is the “Pokemon Hegemon”. Japan is a cultural superpower, which has an effect on how the rest of the world views them. This helps Japan’s economy, increases tourism and other foreign interest, and increases Japan’s influence around the world. So, here’s my big question: Will Japan ever be able to convert this soft power into real power, if necessary? Down the road, if a crisis in Japan occurs, what will all of this soft power get them? I think at some point we may find out.

Godzilla is an official citizen of Japan, and he is the cultural ambassador for the Shinjuku Ward of Tokyo. He is one of the most visible icons of Japan, right up with Mario, Pikachu, Ultraman, Evangelion, Totoro, Lupin, Naruto, Sonic, Titan, Mega Man, and the Chocobos of Final Fantasy. Godzilla came before all of the others, and in my opinion he’s the genesis of Cool Japan, and therefore, the core of the soft power that Japan projects and exports.

The Godzilla series of films cover many Japanese issues either directly or indirectly. It’s great that these movies are not just one dimensional. Though they may appear simple, they’re often refreshingly intelligent and thought-provoking, allowing us to appreciate them on an entirely different level, which adds to the fun of being a Godzilla fan. These movies are unique, intelligent, and enjoyable all at the same time. As Japan (and the rest of the world) move forward into an uncertain and very challenging future, the Godzilla movies tell us so much about where Japan was in the past and where Japan is today.

Next Wednesday, September 20th at noon Eastern, Nate and I will release the first episode of Kaijuvision Radio. Join us as we appreciate these truly special movies in every way that we can.

MP3:

Introducing Our YouTube Channel Featuring Scenic Videos

By Brian Scherschel

Two weeks to go until Episode 1 premieres. In this short video, Brian introduces our YouTube channel featuring scenic videos. The feature of every video will be either nature, like this one, or architecture. The vast majority of the videos are recorded in northeast Indiana, where Kaijuvision Radio is produced.

Host: Brian Scherschel

Editor: Brian Scherschel

Video Location: Eagle Marsh, Allen County, Indiana

Video: Brian Scherschel

Music: Audiophiliac (http://www.fiverr.com/audiophiliac)

Copyright Brian J. Scherschel

All Rights Reserved

MP3:

5 Weeks Until G-Day: Brian’s Interview on the Wonderbury Podcast

By Brian Scherschel

And the countdown begins.

Mark your calendars.  Only 5 weeks until G-Day!  The premiere of Episode 1 of Kaijuvision Radio will be on Wednesday, September 20th at noon (Eastern).  We will release episodes weekly at the same time.

I tell the hosts of WonderBury, Dave Wonderly and Brian Keesbury, about our exciting plans as we approach our premiere day.  We conducted the interview at Kaijuvision Radio HQ.

The WonderBury podcast can be found at www.wonderbury.com.

Kaijuvision Radio at G-Fest XXIV Report

By Brian Scherschel

Our first G-Fest has come and gone!  We had a great experience.  Thankfully, there were two of us so we were able to split up and cover the panels and other events during the three-day show.

First, during the “Mothra Mania” panel on Friday, we were surprised by a great performance by two cosplayers who sang “Mothra’s Song” as the Shobijin, Mothra’s twin fairies.

https://youtu.be/DC9_sdXTPsA

There were costumes and cosplayers in abundance during the convention.

We attended the costume contests, which featured some really impressive entries.

It was fun to see all of the films at the Pickwick Theatre.  Watching the movies with a huge group of fans was different than watching them with a general audience.  They would cheer and applaud at key moments like when a kaiju or favorite actor first appeared, or when Godzilla defeated his foe.

The Pickwick Theatre, built in 1928 in Park Ridge, Illinois

The films offered this year were “King Kong vs. Godzilla” (1963 International Version), “Dragon Wars: D-War” (2007), “Godzilla X Megaguirus” (2000), “Godzilla” (2014), “Kong: Skull Island” (2017), and “Shin Godzilla” (2016).

The Pickwick Theatre marquee

Because I’m a violinist who has great admiration for her work, I opted to meet the very talented composer Michiru Oshima, who wrote the music for “Godzilla X Megaguirus” (2000), “Godzilla Against Mechagodzilla” (2002), and “Godzilla: Tokyo S.O.S.” (2003).

Brian Scherschel (left)
Composer Michiru Oshima (right)

Nathan met headlining G-guest Shinji Higuchi, the co-director and special effects director for “Shin Godzilla” (2016).  

Most noteworthy, Nathan was also asked to join “The Art of Kaiju Writing” panel about writing kaiju fiction.

We also both met Robert Scott Field, who played the android M-11 in the film “Godzilla vs. King Ghidorah” (1991).  Since he lives in Osaka, he was able to give fans, including myself, information about what’s been happening lately in his adopted country at his “Japan Update” panel.

Here are pictures from some of the G-Guests we saw.  It’s awesome that they traveled to the U.S. to visit with us and tell us about their Godzilla experiences.

Archie Waugh (left)
Assistant film director Kazuhiro Nakagawa (middle)
Actor and translator Robert Scott Field (right)

Actor and translator Robert Scott Field (left)
Suitmation actor, actor, and stunt performer Ryuki Kitaoka (middle)
Host of Kaijucast Kyle Yount (right)

 

It’s only been a few days since the convention, and Nate misses it already, while I’m getting caught up on rest.  

Now my mind is buzzing with ideas about how to continue to make this podcast even better after all we learned and experienced last weekend.

Kaijuvision Radio is Going to G-Fest XXIV!

by Nathan Marchand

Brian and I will be attending G-Fest XXIV July 14-16 in Rosemont, Illinois at the Crowne Plaza Hotel O’Hare Chicago.  We won’t be in the dealers’ hall, though.  We’re technically going as regular ol’ attendees, but we’ll be talking up the podcast and getting to know everyone.  We’re not sure if we’ll have episodes posted by then, but we’re hoping to meet future listeners while we’re there.

What’s G-Fest? Well, as the convention’s website puts it:

G-FEST is the largest regular gathering of Godzilla and Japanese monster fans in the world.  Held each summer, it typically attracts more than 1,000 attendees, but has seen a gradual increase in attendance over the past few years.  G-FEST 2014 was the most successful convention to date, bringing in about 3,000 Japanese science fiction and fantasy film fans!

In other words, it’s a “comic-con” that’s strictly for kaiju fans.

This year’s guests include composer Michiru Ōshima, who scored several Millennial Godzilla films including Godzilla x Megaguirus; director and special effects director Shinji Higuchi, who most recently worked on Shin Godzilla; actor Ryuki Kitaoka, whose many acting credits include Godzilla: Final Wars; assistant director Kazuhiro Nakagawa, who also worked on Shin Godzilla, among other things; director Kiyotaka Taguchi, who directed the special effects on many Millennial Godzilla films; actor Robert Scott Field, who played Android M-11 on Godzilla vs. King Ghidorah; and comics industry veteran Tony Isabella.

Along with the many panels and events going on that weekend, there will special screenings of six kaiju films at the nearby Pickwick Theatre, though most of those will be July 13, the day before the convention kicks off. Watch the trailer below to see what films will be playing.

It’s safe to say that Brian and I will be taking as many opportunities to see these films in a theater since most of these we haven’t experienced that way.  Feel free to hit us up before, after, or between screenings!

I’ve been a regular con-goer for a five years now, but this will be Brian’s first time at such an event and the first time either of us have attended G-Fest, so we’re excited.

You can learn more about the convention on its website here.

See you there, G-Fans and kaiju lovers!